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Unboring

Two people stand side by side in black Unboring T-shirts: the stacked wordmark on one, the horizontal wordmark with the surprised-face “o” on the other.
Client
Unboring
Sector
Fashion
Date
2021
Software
Illustrator, Photoshop
Two people stand side by side in black Unboring T-shirts: the stacked wordmark on one, the horizontal wordmark with the surprised-face “o” on the other.

Unboring

Two people stand side by side in black Unboring T-shirts: the stacked wordmark on one, the horizontal wordmark with the surprised-face “o” on the other.

Unboring

Let's not be boring

At a Glance

My contribution: Brand identity design for a 2021 streetwear label, including the wordmark, standalone icon, color system, typography, lockups, and usage manual.

Challenge: Give a product category with similar garments a recognizable brand asset that could work both inside the name and on its own.

Outcome: The “o” became a surprised face that anchors a flexible identity across achromatic and color versions, horizontal and stacked marks, and apparel applications.

The white Unboring wordmark centered on black, layered over cropped charcoal outlines of its letters and the surprised-face “o”.


On a shelf with Grizzly, Volcom, and Pace

Luiz Henrique brought me Unboring on January 29, 2021: a streetwear label for the alternative crowd, people into fashion, and skaters. The brief described it as a brand ready to challenge the status quo.

The difference began before the fabric

The category left little room to distinguish one T-shirt or bag from another before purchase. Luiz wanted the brand itself to become the differentiator, with Supreme named as the reference. The brief also asked for a standalone icon, like the cupcake and bones used by Johnny Cupcakes.

The three references Luiz sent were wordmarks. In two of them, the letterforms also created an image; VANS extended its “V” over the letters that followed. This pointed toward finding the icon inside “Unboring” itself.

Making “o” unboring

I drew the “o” as a surprised face that remains legible inside the wordmark and can also be used on its own.

Raised brows, two eyes, and a small open mouth made the expression immediate. The surrounding letters had to accommodate that expression without losing the name’s readability.

A sheet of Unboring studies: several wordmarks with the “o” drawn as a surprised face, two crossed by a wavy stroke, plus a stacked lockup and the face icon alone.


“Un” is bold, “bo” shifts to a lighter weight, and “ring” closes condensed. The changes in weight and width break the even rhythm of a lowercase word and make the face its focal point.

The white horizontal Unboring wordmark on black. Its “o” is a surprised face with raised brows, oval eyes, and a small open mouth.


The “o” was a face from the first sketches. I also tested a wavy stroke through “boring,” but it made the mark too busy in application, so I followed another direction.

Black first, then three colors

The brief called for sober tones. I fixed the main palette at black, charcoal gray, and white.

An achromatic palette arranged as black, charcoal gray, and white fields, each labeled with CMYK, RGB, and hex values: #000000, #5C5C5C, and #FFFFFF.


The alternate version divides the word into three color blocks: “un” in #FA254C, “bo” in #FF7236, and “ring” in #FF9624. It was approved alongside the achromatic mark for applications that could carry color.

Three color fields (#FA254C, #FF7236, and #FF9624) with the outlined wordmark spanning them as “un,” “bo,” and “ring”.


Two horizontal Unboring wordmarks on white: charcoal gray above; below, “un” in pink-red, “bo” in coral orange, and “ring” in warm orange.


Raleway became the brand typeface in regular, bold, and black, with matching italics. I delivered horizontal, stacked, and standalone versions of the mark in black, gray, white, and color. The manual documents construction, clear space, palette, and type use.

Raleway specimens in Regular, Bold, and Black, each shown upright and italic with letters, numerals, and punctuation.


Horizontal Unboring wordmarks in two achromatic combinations: white on black above and black on white below, both using the surprised-face “o”.


A four-panel grid of horizontal Unboring wordmarks: white on pink-red, coral orange, and warm orange, plus a multicolor version on white.


A repeat pattern of the surprised-face icon across eight vertical bands, alternating black, charcoal gray, pink-red, coral orange, warm orange, and white.


Luiz designed the shirts

Luiz designed the T-shirts and applied the identity in three ways: the stacked mark on the chest, the horizontal wordmark across the front, and the face on its own. The photographs here document those applications.

A young man and woman pose against a plain wall in black Unboring T-shirts. His T-shirt uses the stacked wordmark on the left chest; hers carries the horizontal wordmark across the chest.

T-shirt design: Luiz Henrique. Photography: Unboring (@unboring.co). The stacked and horizontal lockups appear side by side.


A young man in sunglasses sits on a skateboard in the middle of a sunlit residential street, wearing a black T-shirt with the white surprised-face icon on the left chest.

Luiz used the standalone face as a small left-chest emblem.


A top-down view of a young man in glasses reclining diagonally inside an empty white bathtub, wearing a black T-shirt with the stacked Unboring wordmark on the chest.

Luiz used the stacked lockup to keep the full name in a compact chest print.

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